Madeline Kahn was born Madeline Gail Wolfson on September 29, 1942 in Boston, the daughter of Bernard B. Wolfson, a garment manufacturer, and his wife, Freda (née Goldberg). She was raised in a non-observant Jewish family. Her parents divorced when Kahn was two, and she and her mother moved to New York City. In 1953, Freda married Hiller Kahn, who later adopted Madeline; she eventually changed her name to Paula Kahn. Kahn had two half-siblings: Jeffrey (from her mother’s marriage to Kahn) and Robyn (from Bernard Wolfson’s second marriage). In 1948, Madeline Kahn was sent to a progressive boarding school in Pennsylvania. During that time, her mother pursued her acting dream. Kahn soon began acting herself and performed in a number of school productions. In 1960, she graduated from Martin Van Buren High School in Queens, and then earned a drama scholarship to Hofstra University on Long Island. At Hofstra, she studied drama, music, and speech therapy. Kahn graduated from Hofstra in 1964 with a degree in speech therapy. She was a member of a local sorority on campus, Delta Chi Delta. She later studied singing in New York City with Beverley Peck Johnson.

When asked on television by Kitty Carlisle and Charles Nelson Reilly how she began the opera aspect of her career she said, “It’s so hard to determine exactly when I began or why, singing. The Muse was definitely not in attendance. I’ll tell you exactly.” To earn money while a college student, Kahn was a singing waitress at a Bavarian restaurant called Bavarian Manor, a Hofbräuhaus in New York’s Hudson Valley. She sang musical comedy numbers during shows. Madeline Kahn began auditioning for professional acting roles shortly after her graduation from Hofstra; on the side, she briefly taught public school. Just before adopting the professional name Madeline Kahn (Kahn was her stepfather’s surname), she made her stage debut as a chorus girl in a revival of Kiss Me, Kate, which led her to join Actors’ Equity. Her part in the flop How Now, Dow Jones was written out before the 1967 show reached Broadway, as was her role as Miss Whipple in the original production of Promises, Promises. She made her Broadway debut in 1969 with Leonard Sillman’s New Faces of 1968. In 1968, she also performed her first professional lead in a special concert performance of the operetta Candide in honor of Leonard Bernstein’s 50th birthday. In 1969, she appeared off Broadway in the musical Promenade.

Madeline Kahn  appeared in two Broadway musicals in the 1970s: a featured role in Richard Rodgers’ 1970 Noah’s Ark-themed show Two by Two (singing a high C) and a leading lady turn as Lily Garland in 1978’s On the Twentieth Century. She left (or, reportedly, was fired from) the latter show early in its run, yielding the role to her understudy, Judy Kaye. She starred in a 1977 Town Hall semi-staged concert version of She Loves Me (opposite Barry Bostwick and original London cast member Rita Moreno). Kahn’s film debut was in the 1968 short De Düva (The Dove). Her feature debut was as Ryan O’Neal’s hysterical fiancée in Peter Bogdanovich’s screwball comedy What’s Up, Doc? (1972) starring Barbra Streisand. Her film career continued with Paper Moon (1973), for which she was nominated for an Academy Award for Best Supporting Actress. Kahn was cast in the role of Agnes Gooch in the 1974 film Mame, but star Lucille Ball fired Kahn due to artistic differences. (Note: several of Ball’s biographies claim Kahn was eager to be released from the role so that she could join the cast of Blazing Saddles, a film about to go into production; however, Kahn stated in a 1996 interview with Charlie Rose that she had indeed been fired from Mame.)

A close succession of comedies — Blazing Saddles (1974), Young Frankenstein (1974), and High Anxiety (1977) — were all directed by Mel Brooks, who was able to bring out the best of Kahn’s comic talents. Their last collaboration was 1981’s History of the World, Part I. For Blazing Saddles, she was again nominated for an Academy Award for Best Supporting Actress. In the April 2006 issue of Premiere magazine, her performance as Lili von Schtüpp in Saddles was selected as #74 on its list of the 100 greatest performances of all time. In 1975, Kahn again teamed with Peter Bogdanovich to co-star with Burt Reynolds and Cybill Shepherd in the musical At Long Last Love. The film was a critical and financial disaster, but Kahn largely escaped blame for the film’s failure. Also in 1975, she teamed again with Gene Wilder for his comedy The Adventure of Sherlock Holmes’ Smarter Brother. In 1978, Kahn’s comic screen persona reached another peak with Neil Simon’s The Cheap Detective (1978), a spoof of both Casablanca and The Maltese Falcon, directed by Robert Moore. Madeline Kahn’s roles were primarily comedic rather than dramatic, though the 1970s found her originating roles in two plays that had both elements: 1973’s In the Boom Boom Room on Broadway and 1977’s Marco Polo Sings a Solo Off-Broadway.

After her success in Brooks’ films, she played in a number of less successful films in the 1980s. She played Mrs. White in 1985’s Clue. Other roles included First Lady Mrs. Link in the 1980 spoof First Family, a twin from outer space in the Jerry Lewis sci-fi comedy Slapstick of Another Kind (1982), the love interest of Burt Reynolds in the crime comedy City Heat (1984), the animated film My Little Pony: The Movie (1986), the holiday farce Mixed Nuts (1994) and a cameo in 1979’s The Muppet Movie. She voiced the character Gussie Mausheimer in the animated film An American Tail. According to the animator Don Bluth she was cast because he was “hoping she would use a voice similar to the one she used as a character in Mel Brooks’ Blazing Saddles. In 1983, she starred in her own short-lived TV sitcom, Oh Madeline, which ended after only one season due to poor ratings. In 1986 she starred in ABC Comedy Factory’s pilot episode of Chameleon, which never aired on the fall schedule.  In 1987, Kahn won a Daytime Emmy award for her performance in the ABC Afterschool Special Wanted: The Perfect Guy. Madeline Kahn returned to the stage in the role first embodied by Judy Holliday, in the 1989 Broadway revival of Born Yesterday, and was nominated for the Tony Award, Actress in a Play.

Later in her career, she played Dr. Gorgeous in Wendy Wasserstein’s 1993 play (on Broadway), The Sisters Rosensweig, a role which earned her a Tony Award, Actress in a Play.  Kahn played Molly Ringwald’s mother in the 1990 film Betsy’s Wedding.[30] Kahn played the corrupt mayor in a benefit concert performance of Anyone Can Whistle in 1995. She appeared in Nixon as Martha Beall Mitchell (1995). She participated in a workshop reading of Dear World at the Roundabout Theatre Company in June 1998, reading the part of Gabrielle. In the early 1990s, Kahn recorded a voice for the animated movie The Magic 7. Her most notable role at that time was on the sitcom Cosby (1996–1999) as Pauline, the eccentric neighbor. She also voiced Gypsy the moth in A Bug’s Life (1998). Madeline Kahn received good reviews for her Chekhovian turn in the 1999 independent movie Judy Berlin, her final film. For example, the AllMovie reviewer wrote: “…in her final film role, Madeline Kahn lends the proceedings a funny, infectious sense of wonder as David’s loopy mom.” Kahn developed ovarian cancer in 1998. She underwent treatment and continued to work on Cosby and married John Hansbury in October 1999. The disease spread rapidly, and she died on December 3, 1999, at age 57. Her body was cremated. A bench dedicated to her memory was erected in Central Park by her husband John Hansbury and her brother Jeffrey Kahn.