Julia Faye was born Julia Faye Covell at her grandmother’s home near Richmond, Virginia. Her father was French. She had lived in St. Louis, Missouri prior to coming to Hollywood in 1916, to visit friends. She visited one of the film studios and was introduced to Christy Cabanne. The two reminisced about St. Louis and discovered that they had lived next door to one another there. Cabanne persuaded Faye’s reluctant mother to allow her to be in motion pictures. She appeared in more Cecil B. DeMille films than any other actress. She appeared in many of his silent ones and in every one of his films from 1939’s Union Pacific on. She was DeMille’s mistress off-screen for quite some time and DeMille kept her employed in bit parts long after her career (and their relationship) was over, including his most famous film, The Ten Commandments (1956). Julia Faye’s first role for Cecil B. DeMille was featured in The Woman God Forgot (1917). She continued working for DeMille in The Whispering Chorus, Old Wives for New, The Squaw Man and Till I Come Back to You (all 1918). In 1919, Faye played the stenographer in Stepping Out. Cast with Enid Bennett, Niles Welch, and Gertrude Claire, Faye was complimented by a critic for playing her role with “class”. In DeMille’s Male and Female (1919), she played Gloria Swanson’s maid. Her next film, It Pays To Advertise (1919), is a Paramount Pictures release adapted by Elmer Harris from the play of the same name by Rol Cooper Megrue and Walter Hackett. It was directed by Donald Crisp. Faye is among the actors with Lois Wilson depicting the leading lady. Julia Faye was listed as a member of the Paramount Stock Company School in July 1922. Its noteworthy personalities included Rudolph Valentino, Gloria Swanson, Betty Compson, Wallace Reid, Bebe Daniels, and Pola Negri.

In 1923, she played The Wife of Pharaoh, one of her most famous roles, in the prologue of DeMille’s The Ten Commandments. Julia Faye joined Raymond Griffith and ZaSu Pitts in the screen feature Changing Husbands (1924), a Leatrice Joy comedy adapted from a magazine story entitled Roles. When DeMille resigned as director general of Famous Players-Lasky, in January 1925, he became the production head of Cinema Corporation of America. He planned to direct two or three films per year and supervise the making of between ten and twenty more. Faye came along with him as did Joy, Rod La Roque, Florence Vidor, Mary Astor, and Vera Reynolds. The Volga Boatman (1926) is directed by DeMille and named for the noted Russian song. William Boyd, Elinor Fair, and Faye have primary roles in a production DeMille called “his greatest achievement in picture making.” Faye’s depiction of a “tiger woman” is esteemed as the most captivating of her career, to this point. Before this role she had been known for “silken siren roles”. Theodore Kosloff played opposite her as a stupid blacksmith. Faye played Martha in The King of Kings (1927). Christ, portrayed by H.B. Warner, is introduced with great majesty in the DeMille photodrama. A blind child searches for the Lord and the producer/director turns the camera gradually down to the child’s eyes. The viewer sees Christ initially like the blind child whose sight is restored. Julia Faye traveled to New York City for personal appearances in association with The King of Kings and to address a sales convention in Chicago, Illinois. She won critical acclaim for her leading performance in the comedy Turkish Delight (1927), directed by Paul Sloane. Julia Faye married Harold Leroy Wallick on August 2, 1913, in Manhattan. Wallick predeceased her, and she is listed as a widow in the 1930 census. She married actor, author, and scenarist Walter Anthony Merrill on October 24, 1935, in Los Angeles. In April 1936, Faye announced that she had obtained a Nevada divorce from Merrill.