David Selznick was born David Selznick in Pittsburgh, Pennsylvania, the son of Florence Anna (Sachs) and silent movie producer and distributor Lewis J. Selznick. His parents were Lithuanian Jewish immigrants and he had four siblings. Selznick added the “O” to distinguish himself from an uncle with the same name. He studied at Columbia University in New York City and worked as an apprentice for his father until the elder’s bankruptcy in 1923. In 1926, Selznick moved to Hollywood, and with the help of his father’s connections, got a job as an assistant story editor at Metro-Goldwyn-Mayer. He left MGM for Paramount Pictures in 1928, where he worked until 1931, when he joined RKO as Head of Production. David Selznick’s years at RKO were fruitful, and he worked on many films, including A Bill of Divorcement (1932), What Price Hollywood? (1932), Rockabye (1932), Our Betters (1933), and King Kong (1933). While at RKO, he also gave George Cukor his directing break. In 1933 he returned to MGM where his father-in-law, Louis B. Mayer, was studio CEO. Mayer established a second prestige production unit for David, parallel to that of powerful Irving Thalberg, who was in poor health. Selznick’s unit output included the all star cast movie Dinner at Eight (1933), David Copperfield (1935), Anna Karenina (1935), and A Tale of Two Cities (1935).

Despite his output of successful movies at MGM, Paramount Pictures, and RKO Pictures, David Selznick longed to be an independent producer with his own studio. In 1935 he realized that goal by leasing RKO Culver City Studios & back lot, formed Selznick International Pictures, and distributed his films through United Artists. His successes continued with classics such as The Garden of Allah (1936), The Prisoner of Zenda (1937), A Star Is Born (1937), Nothing Sacred (1937), The Adventures of Tom Sawyer (1938), The Young in Heart (1938), Made for Each Other (1939), Intermezzo (1939) and Gone with the Wind (1939), which remains the highest grossing film of all time (adjusted for inflation). Gone with the Wind won eight Oscars and two special awards. Selznick also won the Irving G. Thalberg Memorial Award that same year. In 1940 he produced his second Best Picture Oscar winner in a row, Rebecca, the first Hollywood production for British director Alfred Hitchcock. Selznick had brought Hitchcock over from England, launching the director’s American career. Rebecca was Hitchcock’s only film to win Best Picture.

After Rebecca, David Selznick closed Selznick International Pictures and took some time off. His business activities included the loan of his contracted artists to other studios, including Alfred Hitchcock, Ingrid Bergman, Vivien Leigh and Joan Fontaine. In 1944, he formed The Selznick Studio and returned to producing pictures with the huge success Since You Went Away, which he also wrote. He followed that with the Hitchcock films Spellbound (1945) and The Paradine Case (1947), as well as Portrait of Jennie (1948), a vehicle for Jennifer Jones. He also developed film projects and sold the packages to other producers. Among the movies that he developed but then sold was Hitchcock’s Notorious (1946). In 1949 he co-produced the Carol Reed picture The Third Man with Alexander Korda. Gone with the Wind overshadowed the rest of Selznick’s career. Later, he was convinced that he had wasted his life trying to out do it. The closest he came to matching the film was with Duel in the Sun (1946) featuring future wife Jennifer Jones in the role of the primary character Pearl. With a huge budget, the film is known for causing moral upheaval because of the then risqué script written by Selznick. And though it was a troublesome shoot with a number of directors, the film would be a major success. The film was the second highest grossing film of 1947 and was the first movie that Martin Scorsese saw, inspiring Scorsese’s own directorial career.

“I stopped making films in 1948 because I was tired,” David Selznick later wrote. “I had been producing, at the time, for twenty years….Additionally it was crystal clear that the motion-picture business was in for a terrible beating from television and other new forms of entertainment, and I thought it a good time to take stock and to study objectively the obviously changing public tastes….Certainly I had no intention of staying away from production for nine years.”[4] Selznick spent most of the 1950s nurturing the career of his second wife, Jennifer Jones. His last film, the big budget production A Farewell to Arms (1957) starring Jones and Rock Hudson, was ill-received. But in 1954, he ventured into television, producing a two-hour extravaganza called Light’s Diamond Jubilee, which, in true Selznick fashion, made TV history by being telecast simultaneously on all four TV networks: CBS, NBC, ABC, and DuMont. David Selznick died in 1965 following several heart attacks, and was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. There he joined his older brother Myron Selznick (who had died in 1944) in the family crypt. For his contribution to the motion picture industry, David O. Selznick has a star on the Hollywood Walk of Fame at 7000 Hollywood Blvd, in front of the historic Hollywood Roosevelt hotel.