Born in Rome to a schoolteacher and a musician, Sordi enrolled in Milan’s dramatic arts academy but was kicked out because of his thick Roman accent. In the meantime he studied to be an opera singer, a bass. It was his accent and voice that would later prove to be his trademark. In a career that spanned seven decades, Sordi established himself as an icon of Italian cinema with his representative skills at both comedy and light drama. His movie career began in the late 1930s with bit parts and secondary characters in wartime movies. After the war he began working as a dubber for the Italian versions of Laurel and Hardy shorts, voicing Oliver Hardy. Early roles included Fellini’s The White Sheik in 1952, Fellini’s I vitelloni (1953), a movie about young slackers, in which he plays a weak, effeminate immature loafer and a starring role in Lo scapolo (The Bachelor) playing a single man trying to find love. In 1959 he appeared in Monicelli’s The Great War, considered by many critics and film historians to be one of the best Italian comedies. The Hollywood Foreign Press recognized his abilities when he was awarded a Golden Globe for Best Motion Picture Actor in a Musical or Comedy for Il diavolo (1963). Sordi acted alongside Britain’s David Niven in the World War II comedy The Best of Enemies and in 1965 he was in another highly regarded comedy, I complessi (Complexes). In 1969 he was a member of the jury at the 6th Moscow International Film Festival.

Sordi also succeeded in dramatic roles, most notably in 1977’s Un borghese piccolo piccolo (An Average Little Man) in which he portrays an elderly whose son is killed in an armed robbery, and sets out to exact revenge. In 1984, he directed and co-scripted Tutti dentro (Off to jail, everybody), in which he played a judge who has warrants for corruption served on ministers and businessmen. Alberto Sordi was really masterful in two broad roles: one being the one of the underdog, militating against injustices and prevarications, the other that of the prevaricator himself. One has only to watch his performances as the returning emigrant unjustly convicted in Detenuto in attesa di giudizio or the miserly sub-proletarian of Lo scopone scientifico teased by the old millionaire Bette Davis into endless card games where he hopes to find release from his poverty to appreciate his skills in the first role, while the rampant, unscrupulous doctor he plays in Il medico della mutua is the perfect example of his aptness at rendering characters who were both truly despicable and completely believable. In 1985, he was a member of the jury at the 35th Berlin International Film Festival. Sordi died shortly before his eighty-third birthday following a heart attack. A crowd in excess of a million gathered to pay their last respects at his funeral by the Basilica of St. John Lateran, the largest of such event ever attended in Rome, second only to that of Pope John Paul II who died two years later. Sordi was also a big supporter of AS Roma football team.