Peter Godfrey began his career as a conjuror, clown, actor and director in repertory theatres around the United Kingdom. However, he became increasingly dissatisfied with the standard repertory plays, being himself attracted to the experimental works of American and Continental directors, and the avant-garde playwrights of the 1920s. To stage such plays, he and his wife, the actress Molly Veness, rented a room in Floral Street, Covent Garden, which they were forced to run as a private club since London City Council refused to grant a licence for their “theatre”, which, according to Edna Antrobus, had only “one entrance and exit and a rickety wooden staircase”. The Gate Theatre Studio opened on 30 October 1925, and after staging plays by Molière and Strindberg established its reputation with a production staged in 1926 of Georg Kaiser’s From Morn to Midnight, London’s first expressionistic production. In 1927 the theatre club moved to Villiers Street, where it reached the peak of its success in the 1930-31 season.

Peter Godfrey directed two British films in the early 1930s. In 1936 he directed a production of C. L. R. James’s play Toussaint Louverture at the Westminster Theatre. Godfrey moved to New York City in around 1937, where he continued to write and produce plays. In 1939, now in Hollywood, he took up directing more permanently. In 1942 he became a dialogue director for RKO and Columbia Pictures. By the late 1940s Godfrey was a prominent director, working on films such as the Errol Flynn vehicles Cry Wolf and Escape Me Never. In the 1950s he switched to television and directed episodes for a variety of shows. He died on 4 March 1970, at the age of 70. He is interred at Glendale’s Forest Lawn Memorial Park Cemetery near his wife, actress, Renee Godfrey.