The daughter of a Czech, Austro-Hungarian officer, Anny Ondra spent her childhood in Tarnów, Pula and Prague. Her father’s name was Bohumír and mother’s name Anna. She had two brothers, Tomáš (Tomas) and Jindřich (Henry). At seventeen she played in the theater and was acting in her first film. The film was directed by her boyfriend, director Karel Lamač (Karell Lamatch). When her family learned of it, they had a shouting match in which the teenager got a beating from her father – to be an actress, after the First World War, was socially almost at the level of a beggar. Anne was a graduate of the convent school and her father had for her a place government official. Anna decided otherwise, for a film career and began to live with Karel Lamač.”I swim like a fish, ride a cowboy, and I would do it all in the film applied,” summarized the nineteen-year-old lady of her education. After some years, she wanted to start a family, but Lamač did not want to marry. So, after a three year romance, on 6 July 1933 Ondra married German boxer Max Schmeling, with whom she appeared in the film Knock-out (1935). Their marriage was a happy one, although childless. Ondra miscarried after a car accident in 1936 and could no longer have children. They were married until her death in 1987. Lamac remained her friend for a lifetime. He died in her arms in 1952 in Hambburk. German fascists were trying throughout their marriage to exploit their fame and popularity. Often were seen their photos with Goebbels and Hitler – Max as a German superman and Anny such blond Aryan (Max was heavyweight champion of the world between 1930 and 1932). But they never collaborated. Brave Max refused to accept honors and even secretly helped to hide two Jewish children, saving their lives. In Nazi Germany it was a capital offense. Yet after the war, they got a big financial penalty for collaboration, and in the Czech Republic they issued an arrest warrant. That was the reason why he never visited the homeland. The Nazi propaganda won. After the war they were left without funds and assets. In 1949 they moved to Hollenstedt near Hamburg and her husband started their business on their land. Later Max Schmeling begun working for The Coca-Cola Company. Anny Ondra was buried in the Saint Andreas Friedhof cemetery in Hollenstedt, Germany. Her husband Max Schmeling died in 2005 and was buried next to her. The heritage of Anny and Max has been referred to Max-Schmeling-Stiftung foundation.

She acted in Czech, Austrian, and German comedies in the 1920s; and in some British dramas, most notably Alfred Hitchcock’s The Manxman and Blackmail (both 1929). Anny Ondra formed a production company, Ondra-Lamac-Films, with her boyfriend, director Karel Lamač. Lamac directed her in several silent films, acted with her in films directed by other filmmakers, and continued to work together after her marriage with Max. However, when Blackmail was remade with sound, Ondra’s thick accent was considered unacceptable, so her dialogue was recorded by actress Joan Barry. Ondra made some 40 more films in the sound era, the last in 1957.Total were counted over 90 film figures. Ondra’s career in the UK was hurt by the introduction of talking pictures. She returned to Germany and retired from films after making a few additional movies and marrying boxer Max Schmeling in 1933. However, an amusing test film has survived of Hitchcock “interviewing” Ondra, in which the director teases the actress and asks her some personal questions. Anny Ondra was portrayed by Britt Ekland in the television movie Ring of Passion (1978), wherein the character was named “Amy Ondra Schmeling”. She was also portrayed by Peta Wilson in the historical boxing docudrama Joe and Max. (2002).