Etta James

Jamesetta Hawkins was born on January 25, 1938, in Los Angeles, California, to Dorothy Hawkins, who was only 14 at the time. Her father has never been identified. James speculated that he was the pool player Rudolf “Minnesota Fats” Wanderone, and met him briefly in 1987. Due to her mother’s frequent absences from their Watts apartment conducting relationships with various men, James lived with a series of foster parents, most notably “Sarge” and “Mama” Lu. James referred to her mother as “the Mystery Lady”.

James received her first professional vocal training at age five from James Earle Hines, musical director of the Echoes of Eden choir, at the St. Paul Baptist Church in south central Los Angeles. She became a popular singing attraction there, and Sarge tried to pressure the church into paying him for her singing but they refused. During drunken poker games at home, he would often wake James up in the early hours of the morning and force her through beatings to sing for his friends. As she was a bed-wetter, and often soaked with her own urine on these occasions, the trauma of being forced to sing meant she had a lifelong reluctance to sing on demand.

In 1950, Mama Lu died, and James’ biological mother took her to the Fillmore District, San Francisco. Within a couple of years, James began listening to doo-wop and was inspired to form a girl group, called the Creolettes (due to the members’ light skinned complexions). The 14-year-old girl met musician Johnny Otis. Stories on how they met vary including Otis’ version in which James had come to his hotel after one of his performances in the city and persuaded him to audition her. Another story came that Otis spotted the group performing at a Los Angeles nightclub and sought them to record his “answer song” to Hank Ballard’s “Work with Me, Annie”. Nonetheless, Otis took the group under his wing, helping them sign to Modern Records and changing their name from the Creolettes to the Peaches and gave the singer her stage name reversing Jamesetta into “Etta James”. James recorded the version, which she was allowed to co-author, in 1954, and the song was released in early 1955 as “Dance with Me, Henry”. Originally the name of the song was “Roll With Me, Henry” but was changed to avoid censorship due to the off-color title. In February of that year, the song reached number one on the Hot Rhythm & Blues Tracks chart. Its success gave the group an opening spot on Little Richard’s national tour.

While on tour with Richard, pop singer Georgia Gibbs recorded her version of James’ song, which was released under the title “The Wallflower”, and became a crossover hit, reaching number one on the Billboard Hot 100, which angered James. After leaving the Peaches, James had another R&B hit with “Good Rockin’ Daddy”, but struggled with follow-ups. When her contract with Modern came up in 1960, she decided to sign with Leonard Chess’ namesake label, Chess Records, and shortly afterwards got involved in a relationship with singer Harvey Fuqua, founder of the doo-wop group, The Moonglows.  Bobby Murray, aka “Taters”, toured with Etta James for 20 years. He wrote that James had her first hit single when she was 15 years of age and went steady with B.B. King when she was 16. Etta James believed the hit single “Sweet Sixteen” by King was about her.

Dueting with Harvey Fuqua, James recorded for the Chess label Argo (later Cadet) and her first hit singles with Fuqua were “If I Can’t Have You” and “Spoonful”. Her first solo hit was the doo-wop styled rhythm and blues number, “All I Could Do Was Cry”, becoming a number two R&B hit. Leonard Chess had envisioned James as a classic ballad stylist who had potential to cross over to the pop charts and soon surrounded the singer with violins and other string instruments. The first string-laden ballad James recorded was “My Dearest Darling” in May 1960, which peaked in the top five of the R&B chart. James sang background vocals on label mate Chuck Berry’s “Back in the U.S.A.”

Her debut album, At Last!, was released in late 1960 and was noted for its varied choice in music from jazz standards to blues numbers to doo-wop and rhythm and blues (R&B). The album also included James’ future classic, “I Just Want to Make Love to You” and “A Sunday Kind of Love”. In early 1961, James released what was to become her signature song, “At Last”, which reached number two on the R&B chart and number 47 on the Billboard Hot 100. Though the song was not as successful as expected, it has become the most remembered version of the song. James followed that up with “Trust in Me”, which also included string instruments. Later that same year, James released a second studio album, The Second Time Around. The album took the same direction as her previous album, covering many jazz and pop standards, and using strings on many of the songs spawning two hit singles, “Fool That I Am” and “Don’t Cry Baby”.

James started adding gospel elements in her music the following year releasing “Something’s Got a Hold on Me”, which peaked at number four on the R&B chart and was also a top 40 pop hit. That success was quickly followed by “Stop the Wedding”, which reached number six on the R&B charts and also had gospel elements. In 1963, she had another major hit with “Pushover” and released the live album Etta James Rocks the House, which was recorded at the New Era Club in Nashville, Tennessee. After a couple years scoring minor hits, James’ career started to suffer after 1965. After a period of isolation, James returned to recording in 1967 and reemerged with more gutsy R&B numbers thanks to her recording at the legendary Fame Studios in Muscle Shoals, Alabama releasing her comeback hit “Tell Mama”, which was co-written by Clarence Carter, and reached number ten R&B and number twenty three pop. An album of the same name was also released that year and included her take of Otis Redding’s “Security”. The B-side of “Tell Mama” was “I’d Rather Go Blind”, which became a blues classic in its own right and was recorded by many other artists. She wrote in her autobiography Rage To Survive that she heard the song outlined by her friend Ellington “Fugi” Jordan when she visited him in prison. According to her account, she wrote the rest of the song with Jordan, but for tax reasons gave her songwriting credit to her partner at the time, Billy Foster.

Following this success, James became an in-demand concert performer though she never again reached the heyday of her early to mid-1960s success. She continued to chart in the R&B Top 40 in the early 1970s with singles such as “Losers Weepers” (1970) and “I Found a Love” (1972). Though James continued to record for Chess, she was devastated by the death of Chess founder Leonard Chess in 1969. James ventured into rock and funk with the release of her self-titled album in 1973 with production from famed rock producer Gabriel Mekler, who had worked with Steppenwolf and Janis Joplin, who had admired James and had covered “Tell Mama” in concert. The album, known for its mixtures of musical styles, was nominated for a Grammy Award. The album did not produce any major hits, neither did the follow-up, Come A Little Closer, in 1974, though like Etta James before it, the album was also critically acclaimed. James continued to record for Chess (now owned by All Platinum Records), releasing one more album in 1976, Etta Is Betta Than Evvah!, and her 1978 Warner Brothers album Deep in the Night, produced by Jerry Wexler, saw the singer incorporating more rock-based music in her repertoire. That same year, James was the opening act for The Rolling Stones and also performed at the Montreux Jazz Festival. Following this brief success, however, she left Chess Records and did not record for another ten years as she struggled with drug addiction and alcoholism.

Though she continued to perform, little was heard of Etta James until 1987 when she was seen performing “Rock & Roll Music” with Chuck Berry on his “Hail! Hail! Rock ‘n’ Roll” documentary. In 1989, James signed with Island Records and released the album Seven Year Itch. The album was produced by Barry Beckett. She released a second album, also produced by Barry Beckett, in 1989 titled Stickin’ to My Guns. Both albums were recorded at FAME Studios. Also in 1989 James filmed a live concert from the Wiltern Theater in Los Angeles with Joe Walsh and Albert Collins, “Jazzvisions: Jump The Blues Away”. Backing musicians consisted of many top-flight players from LA: Rick Rosas (bass); Michael Huey (drums); Ed Sanford (B3); Kip Noble (piano); and Etta’s longtime guitar player Josh Sklair (guitar). James participated in rap singer Def Jef for the song “Droppin’ Rhymes on Drums”, which mixed James’ jazz vocals with hip-hop. In 1992, James released The Right Time produced by Jerry Wexler on Elektra Records and the following year, James was inducted into the Rock and Roll Hall of Fame. James signed with Private Music Records in 1993 and recorded the Billie Holiday tribute album Mystery Lady: Songs of Billie Holiday. The album later set a trend for James’ music to incorporate more jazz elements. The album won James her first Grammy Award for best jazz vocal performance in 1994. In 1995, she released the David Ritz-co authored autobiography, A Rage to Survive, and recorded the album Time After Time. Three years later she issued the Christmas album Etta James Christmas in 1998.

By the mid-1990s, James’ earlier classic music was included in commercials including, most notably, “I Just Wanna Make Love to You”. Due to exposure of the song in a UK commercial, the song reached the top ten of the UK charts in 1996. Continuing to record for Private Music, she released the blues album Matriarch of the Blues in 2000, which had James returning to her R&B roots with Rolling Stone hailing it as a “solid return to roots”, further stating that the album found the singer “reclaiming her throne—and defying anyone to knock her off it”. In 2001, she was inducted into the Blues Hall of Fame and the Rockabilly Hall of Fame, the latter for her contributions to the developments of both rock and roll music and rockabilly. In 2003, she received a Grammy Lifetime Achievement Award. Her 2004 release, Blue Gardenia, returned James to a jazz music style. Her final album for Private Music, Let’s Roll, was released in 2005 and won James a Grammy for best contemporary blues album

In 2004, Rolling Stone magazine ranked her No. 62 on their list of the 100 Greatest Artists of All Time. James has performed at the top world jazz festivals in the world, such as the Montreux Jazz Festival in 1977, 1989, 1990 and 1993, performed nine times at the legendary Monterey Jazz Festival, and the San Francisco Jazz Festival five times. Additionally, James often performed at free summer arts festivals throughout the United States.

In 2008, James was portrayed by Beyoncé Knowles in the film Cadillac Records, based on the James’ label of 18 years, Chess Records, and how label founder and producer Leonard Chess helped the career of James and other label mates. The film portrayed her pop hit “At Last”, though James also had other big hits. James and Knowles were seen at a red carpet event following the film’s release embracing each other. James later said that her previous criticizing remarks about Knowles for having performed “At Last” at the inauguration of Barack Obama were a joke stemming from how she felt hurt that she herself was not invited to sing her song. It was later revealed that James’ Alzheimer’s disease and “drug induced dementia” contributed to her previous negative comments about Beyoncé Knowles.

In April 2009, the 71-year-old James made her final television appearance performing “At Last” during an appearance on Dancing with the Stars. In May 2009, James received the Soul/Blues Female Artist of the Year award from the Blues Foundation, the ninth time James had won the award. James carried on touring but by 2010 had to cancel concert dates due to her gradually failing health after it was revealed that she was suffering from dementia and leukemia. In November 2011, James released her final album, The Dreamer, which was critically acclaimed upon its release. James announced that this would be her final album. James’s continuing relevance was affirmed in 2011 when the Swedish DJ Avicii achieved substantial chart success with the song “Levels”, which samples her 1962 song, “Something’s Got a Hold On Me”. The same sample was also used by rapper Flo Rida in his hit 2011 single “Good Feeling”. Both artists issued statements of condolence on James’s death.

James was hospitalized in January 2010 to treat an infection caused by MRSA, a bacterium that is resistant to most antibiotic treatments. During her hospitalization, her son Donto revealed that James had been diagnosed with Alzheimer’s disease in 2008.  She was diagnosed with leukemia in early 2011. The illness became terminal and she died on January 20, 2012, just five days before her 74th birthday, at Riverside Community Hospital in Riverside, California. Her death came three days after that of Johnny Otis, the man who discovered her in the 1950s. Additionally, just 36 days after her death, her sideman Red Holloway also died.  The funeral, presided over by Reverend Al Sharpton, took place in Gardena, California eight days after her death. Singers Stevie Wonder and Christina Aguilera each gave a musical tribute. She was entombed at Inglewood Park Cemetery in Los Angeles County, California.